Showing posts with label union. Show all posts
Showing posts with label union. Show all posts

Sunday, September 20, 2026

Bird's-eye view of the Battle of Pickett's Mill: It's happy trails to old use of terrain map as park volunteer revamps it to add troop locations and names

Revamped map in Pickett's Mill museum (Michael Hitt and Civil War Picket photos)
A large terrain map showing the trail system at Pickett’s Mill battlefield in Georgia has been saved from the dustbin of history and is being modified to add troop and artillery locations and the names of blue and gray regiments that clashed there on May 27, 1864.

“People like details,” said Michael Hitt, a volunteer at Pickett’s Mill Battlefield State Historic Site. “It causes you to start learning.”

The old map, which had been propped in the corner of an adjoining room, was to be thrown away. It had no information about the battle but was rather a basic visual guide to the trails.

Hitt, a Civil War researcher, envisioned another purpose.

He has been working on its new use for about three weeks, putting in about 50 hours as of Friday, when I paid a visit.

Whereas the map formerly was presented at an angle, the interpretive version rests flat on a platform, enabling visitors at the site in Paulding County to peer down from four angles, imagining the Confederate and Union perspectives. (See Picket video above for more detail)

Hitt has painstakingly put in small labels made of board. They denote military units, earthworks, mills and buildings present during the battle, which ended in a Confederate victory during “The Hell Hole” series of clashes there and at nearby Dallas and New Hope.

The Federal army suffered 1,600 casualties at Pickett’s Mill, compared to 500 for the South. The advance on Atlanta was delayed about a week


The board member with the Friends of Pickett’s Mill Battlefield painted the current trail system on the glass so people will be able to superimpose those and the map labels.

The Pickett's Mill story will now be so much easier to understand,” the friends group said in a Facebook post.

“The idea is after people view it, from all angles, then go outside onto the battlefield, you should feel like you're in the model and you will know what took place and where. Just trying it makes history more enjoyable, as the park has only three historical markers.”

For a sense of scale, a house fits within a thumb nail, and a four-gun battery takes up the same amount of space. (Picket photos, above and left)

Unlike an electric map used in the old days at battlefields, this one is static, so it needs to capture a moment in time. Hitt chose 4 p.m., just before the futile Federal assaults began.

Hitt says the location of the map is a bonus. People will be able to look up at a series of maps on a nearby wall and see the progression of the fighting.

The volunteer would like to see more track lighting in the room to improve illumination above the map, but that likely will have to come later.


Work on the labels has been completed. Hitt on Friday showed me blue and gray construction paper and lists of regiments (Picket photos, below) he will use on the edges of the table to show who fought in the ravine and elsewhere on the well-preserved site. Asked how long it will take to finish the project, Hitt said it will be as long as it takes. (See Picket video above for more detail)

A reproduction 12-pounder howitzer that rests in the same room is positioned before a painting of a wooded area.

Hitt said that scene does not show trees and fauna that were at the battlefield, so he would like to have it redone.


Hitt is hopeful the changes will make for a better visitor experience.

“How can you make history more interesting to the average person?”

The visitor center and museum at Pickett’s Mill are open Friday-Sunday. The park is located at 4432 Mt. Tabor Church Road, Dallas, GA 30157

Under construction: The map and battlefield maps behind it (Picket photo)

Saturday, September 19, 2026

The Dawkins House, seat of South Carolina's government in the chaotic end of the Civil War, gets $1.1 million for next phase of preservation work. Students at Union campus are learning about those who lived there

Rear of house includes 1760s section at right; beautiful saw cuts on wood, reworked windows (Courtesy Robert Schmitt)
About $1.1 million has been procured to fund the next phase of restoration for a home in Union, S.C., that briefly served as the office for the state’s governor after he fled Columbia during the Civil War. Construction is expected to begin next spring.

The nonprofit Preservation South Carolina made the announcement on social media this week, saying Gov. Henry McMaster signed a bill last month allocating $800,000 for the ambitious project. Another $300,000 was garnered from corporate and private donors in Union County.

“Together, we are one step closer to preserving the Dawkins House for generations to come,” PSC said of the project milestone.

Stabilization of the once-dilapidated structure largely concluded in March 2025 and officials set about raising and seeking funds to perform the second phase. (January 2026 Picket photo, below)


But that doesn’t mean efforts related to the house are largely at a standstill.

Craftsman Robert Schmitt has continued to repair windows and sashes dating to the 1840s and a class at the University of South Carolina Union is digging up little-known facts about the Dawkins House and the people – free and enslaved – who lived there before, during and after the Civil War.

The house, a terminus residence situated on the USC Union campus at the end of Church Street, was nicknamed “The Shrubs” and was occupied by Judge Dawkins and his English-born wife Mary Poulton Dawkins. The 1850 Federal slave schedule indicates they owned about 20 enslaved persons before the war, but there may have been more on other properties the couple owned. 

Union, which is south of Spartanburg, briefly served as the Civil War capital of the state after Columbia fell to Union forces in 1865 and Gov. Andrew Magrath (right) fled to the town. From about Feb. 15, 1865, until early April, Magrath ran the state from the Dawkins House. He apparently worked in an informal library near the drawing room, which survives today.

According to histories and local legend, Magrath and his subordinates burned possibly incriminating documents and correspondence in the home’s fireplaces. (The building served as South Carolina's capitol while the city was briefly is capital.)

Magrath and his staff raced away from Union as Federal troops moved in. He was eventually captured on May 25, 1865, and imprisoned at Fort Pulaski near Savannah, Ga., until release that December.

Breaking down the project expense, timeline

The $300,000 state-funded Phase 1 of the work shored up the building. Phase 2 will be much more extensive and expensive. Objectives include:

-- Installation of new piers on concrete footings in the crawlspace;

-- Strengthening of porch, first and second floor framings, the roof system and all walls;

-- Installation of the required framing for a new interior staircase where the original historic, spiral staircase was located in the central hall. This will entail strengthening the floors and walls in this area, including any necessary new footings in the crawlspace.

Extensive repairs, upgrades are needed in structure (Preservation South Carolina)
Bill Comer, a Union native who is heading up the Dawkins House rehab project for PSC, told the Picket in an email Charleston-based Bennett Preservation Engineering will begin engineering design work in a couple weeks. Design, procurement and construction contracting are expected to be completed by the end of the first quarter of 2027, with Phase 2 construction beginning no later than April, he added

PSC said the final phase will cost about $500,000.

The group has been working with the USC Union campus and local leaders to rehabilitate the house into an alumni and corporate center for the college.

Robert Schmitt keeps at it, one pane at a time

One of nearly three dozen windows at the property (Robert Schmitt photo)
Robert Schmitt, 76, has thus far repaired 15 windows at the Dawkins House. The restoration expert has taken out old window glass, removed rot and replaced weathered glazing.

He has identified nails that were used in the original section of the house built in the 1760s, and some that were used to build the 1845 addition. Some of the glass panes are original to the 1845 house, but Schmitt has taken about a dozen from his stock for replacements.

Schmitt first completed the 10 windows and 20 sashes at the front of the dwelling. He is keeping them at his home until the house is farther along. 

“The front wall is very, very wavy,” he told the Picket.

He said the old windows are wonderful because of their craftsmanship. “These parts were probably not made on site. Most of the mill work was from Charleston.” He doesn’t believe any of the windows date to the 1760s.

About 70 percent of the glass in those windows is original.

The attractive transom at the front entrance likewise should be temporarily removed when work resumes, Schmitt added. “It is probably a step up from what you usually see.” 

Unfortunately, he said, the top of the feature is obscured by the low roof above the porch. (At left, Picket photo of Comer (left) and Schmitt in front of the transom.)

Schmitt recently completed work on five attic windows, but says about 19 windows on the house are still to be repaired. “I am ready to crank back up.”

College class spotlights the enslaved

Andrew Kettler, assistant professor of history at the two-year USC campus at Union, has been teaching a new course related to the Dawkins House for about a month.

HIST 480-701 -- Internship in Public History” is heavy on research, with a focus on library, courthouse and genealogical records. (Excerpt from a Kettler PowerPoint, below)


The two students, working like detectives, are digging up records from myriad sources, such as death schedules and wills. If they can find a Dawkins will, it may list enslaved persons and what they may have received upon Thomas’s death. That could help the effort to find out more about those individuals.

There’s a lot at stake. Supporters say it’s important the full history of the home and its occupants be told, warts and all. Union County has a long segregation history and the area was known for Ku Klux Klan activity and postwar lynchings. There have been recent efforts, however, to acknowledge that history. Kettler said there is much more to learn.

Officials say they want the building also to be aimed at the future and bring new attention to USC Union, which has a growing enrollment. Currently, it has about 1,400 students; many are affiliated with the athletics programs.

“This is the first time for PSC to have a class that is going on at the same time as one of its preservation projects,” said the professor.

Kettler said students will begin a formal Dawkins family tree next week. They are currently writing short essays based on letters (one at right) written in the early 19th century.

The USC Union Reasearch Club will be assisting the endeavor. "We aim to cultivate an atmosphere of intellectual curiosity on the USC Union campus among students, faculty, and staff, which will nurture a more general love of learning," the group says of its mission.

Sunday, August 16, 2026

History investigators: College class is focusing on the stories of the enslaved people at Dawkins House in Union, S.C. The home to where the state's Civil War governor fled is being preserved

Shored-up house (Annie Smith/USC Union), 1850 Dawkins slave schedule; interior door (Picket photo)
A course that debuted Aug. 18 at the University of South Carolina Union won’t be like the campus classes I attended back in the day. There will be no lecture hall, study sessions or a professor regurgitating set material.

Rather, “HIST 480-701 -- Internship in Public History” will turn students into investigators, digging up little-known facts about the Thomas and Mary Poulton Dawkins House in Union and the people – free and enslaved – who lived there before, during and after the Civil War.

The timing of the class is perfect. The once dilapidated home is slowly being rehabilitated into a new campus facility.

“Everything we are doing is bottom up,” said Andrew Kettler, assistant professor of history at the two-year campus (right). He will work with a small, but he believes mighty, group. So far, three students have signed up for the assignment, which includes building an archival history.

Kettler hopes a few students more will join the inaugural effort. He expects a bigger class in the spring once the work and documentation takes shape.

Union, which is south of Spartanburg, briefly served as the Civil War capital of the state after Columbia fell to Union forces in 1865 and Gov. Andrew Magrath fled to Union. From about Feb. 15, 1865, until early April, Magrath ran the state from the Dawkins House. He apparently worked in an informal library near the drawing room, which survives today.

According to histories and local legend, Magrath and his subordinates burned possibly incriminating documents and correspondence in the home’s fireplaces. (The building served as South Carolina's capitol while the city was briefly is capital.)

The 1850 federal slave schedule indicates Thomas Dawkins (left) enslaved about 20 persons, but there may have been more elsewhere. Some likely worked at other locations besides the home, which was called “The Shrubs.” (The project has not yet found an 1860 slave schedule)

Over the years, residents came and went from the Dawkins House, which is located on the small USC-Union campus. But there had been one constant: The deterioration of the building into near ruin.

Now the nonprofit Preservation South Carolina is working with the campus and local leaders to rehabilitate the house into an alumni and corporate center for the college. Raising money for the effort has taken time, but officials continue to make progress.

“This is the first time for PSC to have a class that is going on at the same time as one of its preservation projects,” said Kettler.

There’s a lot at stake. Supporters say it’s important the full history of the home and its occupants be told, warts and all. But they also want the building to be aimed at the future and bring new attention to USC Union, which has a growing enrollment. Currently, it has about 1,400 students; many are affiliated with the athletics programs.

Union County has a long segregation history and the area was known for Ku Klux Klan activity and postwar lynchings. There have been recent efforts, however, to acknowledge that history. Kettler said there is much more to learn.

2021 markers details part of the county's lynching history (Picket photo)
Annie Smith, director of development on the campus, said the course also will seek to identify those individuals who lived in the original structure between 1765 and the early 1800s, before Thomas Dawkins bought and expanded the residence.

The class research will include library, courthouse and genealogical records. Kettler previously told the Picket the aim is less about assigning blame for slavery than moving toward acknowledgement and reconciliation

“We don’t know what we are going to find. It just has to be an honest investigation,” said the professor, who showed the students the outside of the home after the class began.

So far, they have possible names for 2 enslaved

A large focus of the class is finding out about the enslaved persons, most of whose names are not know. Names were not included in old census records.

Focusing searches on that specific population will also allow for uncovering connections to the later history of Black citizens in Union County,” says the class syllabus.

Kettler (right, Picket photo) and a couple students conducted some research over the summer, including at the South Caroliniana Library at the main University of South Carolina campus in Columbia. “We’re digging constantly,” he said.

Kettler, 42, said they have learned the possible names of two of the enslaved. He is not identifying them at this point until he can confirm accounts. One was mentioned in a postwar newspaper article saying the bride was a Dawkins servant (slave). The second may have been a lynching victim in the 1870s, said the professor.

He expects students will glean more names from county-by-county agricultural censuses.

“Tracing formerly enslaved people is very difficult because of name changes,” said Kettler. Others may have moved north decades later during the Great Migration.

The students, working like detectives, will dig up records from myriad sources, such as death schedules and wills. If they can find a Dawkins will, it may list enslaved persons and what they may have received upon Thomas’s death. That could help the effort to find out more about those individuals.

College hopes for an archives open to the public

The public history course outline includes this overview:

“Students will be engaging with archival documents to gain respect for the application and relevance of historical knowledge, as well as support the broader goals of the university and its environs. With the work in this course, USC Union students can begin to explore documents that are to be organized into a “Dawkins House Archive” that will be housed at the future Alumni and Corporate Sponsor Center in the Dawkins House. Our focus on the course will be on answering: What were the historical experiences of those who resided at the Dawkins House?”

Kettler envisions binders of documents at a location ”where people can see the actual letters.” (At left, part of 1867 correspondence by Thomas Dawkins)

Students will share extensive readings during the semester. Topics will include the Dawkins House, memory, the antebellum period, slavery, Reconstruction, “historic sites as powerful institutions,” contemporary Union and modern public history.

The class is half education on the topic and half working through the methods of public history. Students will analyze documents, said the professor. “They will do the work of the historian.”

Resources include census records, newspapers, the Union Country MuseumRose Hill Plantation State Historic Site, diaries and other papers. Kettler wants to see if the county clerk has deeds to property owned Thomas Dawkins. That might help the researchers go back to those who lived in the house way back in 1765.

One goal of the endeavor is to get local folks involved in uncovering the area’s history and make the Dawkins House a destination of sorts. Kettler, who believes a book may result from the project, is available to speak to groups about the Dawkins House as part of South Carolina Humanities’ speaker’s bureau.

For white citizens, a world turned upside down

When it comes to the Civil War period, recorded experiences have almost exclusively been of white people.

Mary Poulton Dawkins was many things in her 86 years, the majority of which were ensconced in the home that was dubbed “The Shrubs” in honor of a family estate by the same name in her native England.

Dawkins (right), who in 1845 married Thomas, a prominent South Carolina judge 14 years her senior, was described by relatives as headstrong and proud of her imported furniture and Queen Victoria.

There was another side of the Englishwoman, however, that doesn’t project well these days.

While of the “highest culture,” Mary had a tendency toward bigotry, an observer wrote, and a paternalistic view of slavery.

Enslaved people had become a majority in Union County during the 1840s.

Following the South’s loss in the Civil War, and the Dawkins’ fortune largely gone, Mary lamented Reconstruction and the brief political power accorded to Black people.

The negroes on the plantation had really no ill feeling, but poor ignorant creatures, they were intoxicated with the idea of power and always fond of idleness; began to steal and destroy property, scarcely a night without a burning,” Mary wrote in a memoir penned late in life. “There was no redress, no law, and the ‘Ku Klux’ was formed to frighten the negroes, so sensational, supersti­tious.”

Kettler said Thomas Dawkins lived in a world based on the idea the patriarch is nearly above the law on his own property, a theme popular on Southern plantations.

“Dawkins basically had one square mile that defined his life.There are four large Southern homes within a few blocks of the Dawkins House, one we date to 1850 and another to 1857. Those would have been his direct neighbors less than a mile away, he said. 

”A half mile up the road is the church he paid to build. And just up Main Street would have been the courthouse where he practiced as a lawyer and then a judge. (At left, Episcopal Church of the Nativity, Wikipedia).

“This was a figure who exemplified the Southern ideal of Pater Familias, and used Greco-Roman architecture to signify that in a Greek Revival-esque home,” the professor added.

Group is raising more money for work on house

Some 120 years after Mary’s death, Preservation South Carolina is raising money for the next phase of the restoration of the residence.

Bill Comer, a Union native who is heading up the DawkinsHouse rehab project for PSC, previously said the refurbished site will provide lessons from the past once it reopens.

Early rendering of what the house will look like when completed (PSC)
The $300,000 state-funded Phase 1 of the work, which concluded more than a year ago, shored up the building. Phase 2 will be much more extensive and expensive.

PSC said they need at least $845,000 for the next phase of work. About $284,000 has been raised or been committed, including a $100,000 award from the Timken Foundation and a $25,000 grant from the SC Department of Archives and History, said Comer.

Donations to the project can be made here.

We hope to finalize other significant funding arrangements within the next several weeks. Fundraising efforts will be ongoing until the house is fully renovated and ready for use,” Comer said in an email.

It is anticipated Bennett Preservation Engineering of Charleston will begin updating and preparing design specifications for Phase 2 in early October and that construction will begin in January 2027. “Phase 2 will take the building well beyond stabilization to the point that it is ready to accommodate the Final Phase of mechanical, electrical and plumbing construction,” Comer said.

USC Union offers associate degrees in arts and science and a bachelor's in nursing
After that, the house will be owned by the Union Laurens Commission for Higher Education.

“PSC will continue to work collaboratively with USC Union and the commission via a memorandum of understanding to help secure funding and to provide historical preservation counsel until it is completely finished,” Comer added.

Juggling myths and the real stories

The Dawkins House rehabilitation and the university course are coming at a fortuitous time in South Carolina.

Gov. Henry McMaster has championed commemoration, including the state’s importance in the American Revolution. That awareness includes the complex history of slavery and its legacy, said Kettler.

“The base of the Freedmen’s Bureau was in Beaufort, South Carolina,” he said, arguing that’s where emancipation really began.

There are a lot of stories about the Dawkins House, he argued. “School kids know about the myth of McGrath’s silver.”

Upon learning of Rebel Gen. Robert E. Lee's surrender at Appomattox in early April 1865, Magrath and his staff raced away from Union as Maj. Gen. William Tecumseh Sherman's Federal troops moved in. 

Magrath apparently hid a silver tea set at the Dawkins' home while he was based there. Mary Dawkins wrote the couple took the set to Mills House in Charleston after Magrath was released and they gave it to him.

The silver tea set story is covered in the book "South Carolina's English Lady," compiled and edited by the late Sarah Porter Carroll in the 1980s. You can read the text on Family Search (right).

Letters and accounts written by relatives of Mary Dawkins -- and included in Carroll's book -- suggest slaves at “The Shrubs” and any other land owned by Thomas were treated more kindly than at other plantations. But that view belies the fact the institution was inherently cruel and violent.

For Kettler and students, this will be in intense exercise in public history, a movement that marries academic with engagement in the community.

Kettler hopes uncovering the history of the house and 19th century Union will better inform the community of its rich, complex history.

There is a  “mythic, shrouded history we are going to uncover.”

READ MORE:

https://civil-war-picket.blogspot.com/2026/04/as-fundraising-intensifies-to-fix-up.html

https://civil-war-picket.blogspot.com/2026/01/scs-civil-war-governor-slept-and-likely.html

https://civil-war-picket.blogspot.com/2025/09/craftsman-has-window-to-history-of-home.html

https://civil-war-picket.blogspot.com/2025/02/s-carolinas-governor-fled-to-this-house.html

https://civil-war-picket.blogspot.com/2024/07/south-carolina-community-gets-into-game.html

Saturday, August 15, 2026

Tattooed sailors off Fort Fisher: Talk will focus on the history of the art, designs popular during the Civil War and where ink was placed on the body (even there!)

19th century tattoo designs (Winterthur Museum, Garden and Library, Tattoo Pattern Books)
Ah, sailors and tattoos. They go so well together, and have for hundreds of years.

Whether through images of sweethearts, whales or ships, countless generations of sailors have worn tattoos to show social identity, ethnic heritage or simply for identification should they be killed in battle.

Becky Sawyer, historian at Fort Fisher State Historic Site in North Carolina, has conducted about five years of research on those who in participated in the battles for the Confederate sentinel near Wilmington and had some ink on their bodies.

Sawyer (left) will share the fruits of her work on Wednesday afternoon, Aug. 19, at Pleasure Island Library in Carolina Beach. The talk is entitled “Red, Blue & Black: Tattoos Among Sailors at Fort Fisher.”

“Through images and stories, explore this fascinating and sometimes gritty aspect of maritime history. Not for the faint of heart,” the program advertises.

The Picket asked Sawyer to describe the topic and the resources she used. Her responses have been edited for brevity.

Wait for it: The last question below gets to the “faint of heart.”

Q. What will be the main thrust of your message? Why do you find this a particularly relevant topic?

A. Tattoos have always been a tradition of naval history. Tattoos tell a story of the sailors who fought at Fort Fisher, whether they they were in the maritime service for years prior to the Civil War or joined the U.S. Navy to serve their country. They also tell the story of traditions such as the Kanacha tattoos among the Polynesian sailors with the fleet. Tattoos identified men in a time when there were no dog tags. Several of the men on my list were killed in the Battles of Fort Fisher. Some were sent home north to be buried, like Abel Cole of the USS Brooklyn, who had a blue star between right thumb and index finger. He would be buried in his home state of Maine. William Baker of the USS Sassacus is buried at the Wilmington National Cemetery – he had his initials tattooed on his left forearm

Naval rendezvous record describes fancy artwork for one Civil War seafarer
Q. Is this all or almost all about Federal sailors? Which campaign(s) against the fort did they participate in?

A. My focus is on the U.S. sailors who served onboard vessels both as part of the blockade off Wilmington/Fort Fisher in 1863-64 and then also the battles of Fort Fisher. There are also former Confederates who joined the U.S. Navy during the exchange in late 1863 and into 1864 who have tattoos which they may have received while in a prisoner of war camps such as Camp Douglas and Fort Delaware.

Q.  How did you learn about these tattoos? Can you describe the themes? Were tattoos well-known among sailors before the Civil War?

A. Researching the muster rolls for the various ships that participated in the battles of Fort Fisher and then cross-referencing them with the Naval Rendezvous Enlistment records along with pension records of those who served in the battles. As for themes – I have broken it down into 11 categories such as names & initials; things of the sea (mermaids, anchors, ships), religious symbols, patriotic symbols, memorials, bracelets, etc. Tattoos are well-known among sailors prior to the Civil War. 

Artist at work (Library of Congress) and two tattoo designs (Winterthur Museum, Garden and Library, Tattoo Pattern Books)
Q. I know you have researched this for a while and have made previous presentations. When did you begin this research and what piqued your interest? 

A. I began researching this about five years ago or so. At first, it was on foreign-born sailors and then realized the former Confederates who served with the Navy and finding tattoos among the prisoners when they enlisted, and it just snowballed into the research that I have today.

Q. Are there specific sailors you will mention? If so, can you please provide a couple examples?

A. Simon Duggan of the USS Fort Donelson (former Confederate POW) had a cross between his shoulder blades (naval record, below). He was from Ireland. John Love of the USS Wabash had the phrase “Where Liberty Dwells There is My Home” tattooed on his breast. Leander Spaulding (tattoo artist on the USS Tristam Shandy) had a snake and “don’t tread on me” tattooed on his right forearm. Charles Haldgate of the USS Tuscarora had “Dieu Et Mon Droit” (God and my right) tattooed on his right forearm – he was a mariner by trade from Liverpool.


Q. One promotion for your speech says it "is not for the faint of heart." Can you explain why?

A. I found at least two sailors with tattoos on their manhood and then there are tattoos found on the buttocks as well.

Becky Sawyer’s presentation is scheduled for Wednesday, Aug. 19, at 2 p.m. at Pleasure Island Library, 1401 N. Lake Blvd #72, Carolina Beach, N.C. Call 910-798-6300 or 910-251-7351 for more information.

Sign about tattooed sailors research at Fort Fisher in 2023

Monday, April 13, 2026

Legacy of the USS Montauk: Student at the Savannah College of Art and Design believes she has the blueprints for success to produce 3D model of ironclad for park

Blueprints are matched with 3D model; illustration of Montauk shelling Nashville
Like the Montauk itself, a 3D model of the noted Civil War ironclad must be watertight, with no problematic gaps or holes.

That’s one of many goals for Grace Stelmaszyk, a senior at Savannah College of Art and Design (SCAD), who is working to produce and print a model of the Montauk for Fort McAllister State Park in Richmond Hill, Ga. The Montauk bombarded the Confederate fort and sank the raider Nashville (Rattlesnake) in February 1863.

The college previously produced interpretive panels about the Montauk and other Union ironclads for the park. Greg Johnson, interactive design and game development professor, has worked with students to make a 30-inch version of the Montauk, so it can be placed next to a model of the Nashville in the park’s museum.

Stelmaszyk (right) has picked up the project from another student, and she hopes to get it across the finish line in the next couple months. Johnson said she is doing “an amazing job” on the model, making sure it conforms with blueprints of the Montauk.

Key to the effort is a discovery made by park staffers several years ago: A matted long tube contained a precious copy of the USS Montauk’s blueprints, manufactured in dozens of sheets.

Johnson, after learning about the blueprints, used a custom-built rig to slide dozens sheets under a camera to obtain high resolution.

“Because I had to photograph the blueprints, since they were way too big to scan, there is a certain amount of distortion. Grace had to fix the distortion in the blueprints and then adjust the model to match,” Johnson said in an email.

Stelmaszyk, who is graduating with an interactive design and game development degree in May, hopes to have the model ready for printing by early summer.

“My current list of items to complete for a print-ready model are adding adequate thickness to all components of the model, combining all components so the model is ‘watertight,’ deciding how many pieces need to be printed separately and assembled (small things like the thin poles need to be separate since the printer may not print them right if they're part of a larger piece), and then sizing the model to the correct in-person length.”

Persistent Union ironclad finally got its prey

Working 3D Montauk model being produced for printing (SCAD photo)
The Montauk was one of 10 Passaic ironclads built relatively early in the Civil War.

Andy Hall, A Civil War naval expert and author, told the Picket the Passaic monitors were the first large-class of monitors and many of them served together, such as the campaign against the earthen Fort McAllister in 1863 and 1864.

The Union navy, as it continued its chokehold on Southern ports and readied for offensive operations, sent the Montauk and sisters PassaicPatapsco and Nahantsupported by gunboats Seneca, Dawn and Wissahickon to bombard and capture Fort McAllister in January 1863.

The skipper of the Montauk was John Worden (left), famous for being the USS Monitor’s captain when it clashed with the CSS Virginia in 1862.

Capable Confederate gunners at Fort McAllister hit the ironclad 13 times in its first action, but caused little damage. A second attack on Feb. 1, 1863, found the vessel, according to histories, pounded by 48 shells. The Montauk's sister ships also took part in the action.

Its big day came on February 28. The sidewheeler Nashville, which was bottled up and hiding under the guns of Fort McAllister for protection, tried to get away from the Federal ironclads via Seven-Mile Bend on the Ogeechee River, but apparently ran aground.

The 215-foot blockade runner commanded by Lt. Thomas Harrison Baker became a sitting duck because of its lack of maneuverability and deep draft in a tight area, and the Montauk pounced.

All the monitors were designed for littoral or riverine operations, and so drew as little water as possible,” says Hall. “Nashville was built as an ocean-going steamship, so had a fuller, deeper hull.” That proved to be a disadvantage at McAllister.

Montauk’s XV- and 11-inch Dahlgrens were able to destroy the former commerce raider.

Worden was pleased with his destruction of ‘this troublesome pest’” wrote John V. Quarstein, director emeritus of the USS Monitor Center in a blog. “However, Montauk suffered a huge jolt when it struck a Confederate torpedo en route down the Ogeechee River. Worden’s quick thinking saved his ironclad.” (Quarstein wrote a recent biography of Worden.).

The Union naval attacks on Fort McAllister itself were less successful. The low-profile earthen fort could withstand the shelling and repairs could be readily made. It eventually fell to land forces in December 1864.

The Montauk was scrapped in the early 1900s; the park grounds and museum have a large number of CSS Nashville artifacts.

USS Montauk (left) and USS Lehigh in Philadelphia in 1902 (Wikipedia)
While the monitors were mass-produced, they did undergo changes during the service, and SCAD students wanted to be sure the appearance of the Montauk matched the time it prowled off Fort McAllister.

SCAD is working from a Montauk paint scheme described in the work “Modeling Civil War Ironclad Ships” by Steven Lund and William Hathaway

The deck is lead gray, the turret and pilot house black with a narrow white ring, and the smokestack black with the upper one third in dark green.

Lots of tasks and challenges during project

SCAD and the park last year took measurements of the Nashville model and studied vital stats of both vessels, so the Montauk will be to scale. (Site manager Jason Carter below, Picket photo)


This makes the USS Montauk model 30 11/16th inches or 780mm in length,” said Johnson. The ironclad, he says was slightly asymmetrical.

I asked the professor about the challenges of such a project.

To build a complex 3D model like the USS Montauk and then 3D print it, you first need a solid understanding of 3D modeling fundamentals, know how to create clean geometry and also accurately match real-world measurements,” he responded.


“Software like Autodesk's Maya or 3dsMax is generally used -- so a very thorough understanding of that software is required. You must build the model specifically for printing by ensuring it is fully closed (watertight, with no holes in the geometry), has appropriate wall thickness, and accounts for overhangs or tolerances so that parts can be fit together after printing. Once the ship is modeled, it will need to be exported to a file readable by the 3D printer and then loaded into a slicer, where things such as layer height, infill, supports, and other print settings will need to be determined.”

After that is completed, the model must be assembled and painted.

Stelmaszyk said she is using Maya and ZBrush software.

The student said she joined the effort to help create something for the park and increase her knowledge on different types of projects that aren't only game-industry focused. “While maybe my knowledge on this ship isn't as vast as some, I enjoy the research that I get to do for the project to create for the public's enjoyment,” she wrote in an email.

“I'd say the most gratifying part of the experience is always working towards that end goal of printing and being able to hold it in my hands and see it in the world. All the little steps that are completed along the way also bring me a lot of satisfaction as I keep going forward. The most challenging part of this project would be predicting the final print. For example, predicting the thickness and what that will look like when printed or planning how you want to assemble the smaller, fragile pieces back onto the main body. But I've always loved solving puzzles.”

SCAD will be working from this paint scheme (Courtesy Steven Lund)