30th edition of the Civil War show in Dalton, Ga., offers boatloads of relics, three lectures and a familiar place for collectors and vendors to network

The Bullet and Shell table at the 2018 weekend event in Dalton, Ga  (Picket photos)

Patrons at this weekend’s 30^th edition of the Chickamauga Civil War Show in Dalton, Ga., can take in lectures on battlefield preservation, religion during the conflict and Reconstruction.

The annual firearms, artifacts and relics show at the Dalton Convention Center, 2211 Tony Ingle Parkway, takes place Saturday and Sunday. During dealer move-in Friday, people can pay $50 for an “early buyer” badge that gives them the first crack at many items. They can use the pass through the weekend.

Show organizer Mike Kent, who has been producing Civil War shows for 34 years, including 20 at Dalton, said nearly 200 vendors will set up items on 450 tables.

“Standout displays of Confederate buckles by Dr. Bill Blackman, Kenny Copelin and Scott Riddle are always one of the top attractions at the show and Father Bob Miller, who is one of our guest speakers, will also have a display on religion during the war,” Kent (left) told the Picket.

Kent said all Civil War shows have evolved over the years. What started out as mainly a show for dug relics from the Civil War has developed into an all era, militaria-type show with relics, artifacts, weapons and memorabilia from the Revolutionary War up through World War ll.

“As Civil War material becomes more difficult and expensive to acquire, collectors are tending toward items from more recent eras such as WW ll, but the Dalton show is still 80% to 90% Civil War related.” Kent also runs the larger Franklin Civil War Show in Tennessee, held in December.

Beyond sales, relic shows are a major place for sellers, museum curators, authors, collectors and others to network.

While there is a fee to enter the Dalton hall, three lectures Saturday in Room 1-A on the first floor of the trade center are free and those interested do not need to enter the show to listen. The schedule:

11 a.m.: Anthony Hodges, head of the Tennessee Civil War Preservation Association, and Joe Trahan, president of the Georgia Battlefields Association, will discuss battlefield preservation.

Noon: Father Bob Miller, a Catholic priest and historian, speaks on “Religion is what makes soldiers brave: Seven reasons why faith was important during the Civil War.”

1 p.m.: Historian and author Scott Sallee lectures on Reconstruction following the Civil War, and its three phrases.

Civil War photo collector and expert David Wynn Vaughan of Atlanta plans to attend Friday’s VIP session. “I (always) hope to find a nice Confederate image.”

Ronald S. Coddington,  author, historian and publisher of Military Images magazine, has previously set up shop at the Dalton show -- interacting with patrons by scanning tintypes, ambrotype images and cartes de visite for possible print and online galleries for this magazine, getting story ideas and weighing in on a card’s value.

While he is unable to attend this year, Coddington said he enjoys meeting the public.

“The passion and knowledge these caretakers have for artifacts is inspiration. And the opportunity to be physically present to touch the artifacts is not something you can get in the digital world -- at least not yet.”

A prospective buyer checks out firearms in 2010 (Civil War Picket)

Kent says photo collector and dealer Paul Reeder, known for his Confederate images, will be at the show. Military Images has published some of his collection.

Show hours are 9 a.m.-5 p.m. on Saturday and 9 a.m.-3 p.m. on Sunday.  Admission is $12 for adults; children 12 and under are free. Friday’s VIP session ($50) is 10 a.m.-7 p.m.

Revisiting an old shirt and a very young Civil War soldier: Museum's Confederate and civil rights artifacts showcase the breadth of Alabama's history

Over this blog’s 15 years, I’ve written about myriad items belonging to Civil War soldiers and sailors – from swords, hats and frock coats to journals, letters and Bibles.

While each resonated in its own way, one item especially stands out to me. It’s the homespun, brown-and-white checked shirt made for a skinny teen boy from Demopolis, Alabama. 

The time and care that went into making it showed that Henry Winston Reese Jr. was dearly loved by his prosperous family. (Click photo to enlarge)

I researched Reese for a February 2016 post. I learned the University of Alabama student joined the Confederate army without his parents’ permission and died, barely 17, from wounds received two months earlier at the Battle of Champion Hill (Mississippi, May 1863).

Living historian and weaver Terre Hood Biederman and Ryan M. Blocker, a curator in the museum collection of the Alabama Archives, were among those with spoke with me about Reese and the shirt, a homemade product demonstrating Southern resolve.

I’ve since heard from a couple descendants, including one who said her family tries to keep the names Reese and Winston going.

The garment, along with Reese’s boots (below, both photos courtesy Alabama Archives), remain on display at the Alabama Voices gallery at the Museum of Alabama in Montgomery. A pouch, also donated by the family to the Alabama Department of Archives and History in 1978, has been kept in storage.

Alabama Voices cover’s the breadth of the state’s history, including the Civil War, industrialization, the world wars and civil rights (more about that later).

It’s a near certainty that Reese was not wearing the shirt -- which is likely made from cotton, rather than wool -- when he was mortally wounded while fighting with the 31st Alabama Infantry. But it somehow survived. Curators don’t know whether the shirt was made by a family member or an enslaved person.

Reese's father, a physician, had more than 100 slaves, according to the 1850 U.S. Census, and his growing family lived in a Gothic Revival home called Forest Hill on the outskirts of Demopolis.

Winston Reese was the first of a half dozen children born to the doctor and his wife, Julia, who died a year after the Civil War ended.

I recently reached out to Blocker to ask whether she has learned anything more about Reese or his family. She has not. (Incidentally, I have been unable to obtain an image of Reese.)

I asked Blocker about the significance of artifacts like the shirt.

“They help us understand and humanize, if you will, the people who lived long ago. A mother makes a shirt for her oldest child who is attending school away from home,” she replied in a recent email.

“Her son, an impulsive and idealistic teenager … goes against the wishes of his parents and joins the army," said Blocker. "Stories like this are played out time and time again, even in modern times. With this shirt, we get a glimpse of the lives of those who came before. In that glimpse, we realize that we are not that different.”

The shirt was likely made from cotton (Courtesy Terre Hood Biederman)

The shirt features rounded pockets, a French cut and purple and white glass buttons. Untold hours went into picking, washing and carding and spinning the dyed fiber. Then came the arduous tasks of weaving the fabric on a large loom and hand sewing the pieces.

While similar battle shirts worn by soldiers were commonly made of wool, this shirt reflects the concept of homespun as a patriotic statement, asserting that the South could stand alone in producing its needs, Biederman told me this week.

“It is fashionably cut, made for a teen living in the comfort of a college dormitory, not a soldier sleeping rough, and thus is likely made of cotton,” she wrote in an email. “The shirt has been on exhibit since this question was raised, and not available for analysis.”

Artifacts belonged to other Confederate soldiers

The gallery’s Civil War section contains numerous artifacts. Blocker said the story of an Alabama-made sword belonging to 1^st Sgt. Socrates Spigener is among those especially compelling. The soldier was born in 1844 in Coosa County and joined Hilliard’s Legion, which became the 59^th Alabama

Spigener was killed in Virginia days before the end of the Civil War.

“His sword was picked up from the battlefield and sent home to the family,” said Blocker. (Photos: Alabama Archives)

The family wrote a tribute and pasted it to the scabbard (click photo above to read): "This was the sword of Socrates Spigener, the baby child of Joel and Sylvia Spigener. He was Lieut. in the Confederate War of 1862. He fought bravely and was killed in battle near Petersburg, about the 6th of April 1865.”

Blocker said the archives also has a rare red artillery kepi and its original oil cloth cover.

The cap belonged to 1^st Lt. Maynard Hassell, State Artillery Company A, Garrity’s Battery. Hassell was born in 1831 in New York and moved to Lowndes County, Ala., at a young age. He enlisted in 1861.

The officer was killed by a cannonball at Lovejoy Station in Georgia in summer 1864. He was awarded the Confederate Roll of Honor for his “courage and good conduct on the field of battle.” 

Hassell's kepi and oil cloth cover (Alabama Archives)

The lieutenant's personal belongings were sent to the family after Hassell was killed in battle, Blocker said.

“The kepi was sent to us, along with a small journal, in 2013 as we were completing work on the Voices gallery,” said Blocker. “The gentleman that donated the material was a descendant of Hassell and wanted to make sure the material was returned to Alabama.”

The journal is not a daily notation of his personal experiences; rather, it has extensive notes about payments to soldiers, battles fought and munitions used during the battles.

The struggle for civil rights played out in Alabama

While Hassell, Reese and Spigener fought to keep the status quo of antebellum society, the Alabama Voices gallery includes artifacts that tell the story of the long struggle for equal rights among Black citizens.

Blocker said one of her favorite such items is a collection box from Hall Street Baptist Church in Montgomery. Founded in 1903, the church played an integral role in the 1955-56 Montgomery Bus Boycott by purchasing a station wagon to transport members to and from work and other appointments.

Another standout is a chair and vanity stool from the Selma home of Jean Jackson and her husband, D. Sullivan Jackson, a dentist. (Collection box, chair and stool left, Alabama Archives)

“Dr. Martin Luther King stayed with the Jacksons and made their home his headquarters during his visits to Selma. Dr. King and Ralph Abernathy, used the chair and vanity to put on their shoes for the march to Montgomery. They were photographed seated in the Jackson’s living room in the Ebony magazine displayed on the stool,” said Blocker.

Other items in the gallery include a Billy club used by a Birmingham police officer, a Ku Klux Klan robe, shoes worn by Gov. George Wallace when he was shot in 1972 during his presidential campaign  and photographs of notable Alabamians, including entertainer Lionel Richie and professional athlete Bo Jackson.

The Alabama Voices Gallery is located on the second floor of the Alabama Department of Archives and History building in downtown Montgomery, 624 Washington Ave. The museum is open open Monday through Saturday, 8:30 a.m. to 4:30 p.m. CT. Here is a schedule of gallery closures for renovations.

Hurricane Helene did no favors to house that briefly served as South Carolina's Civil War capitol. The Dawkins House in Union is being stabilized for future use

More tarps had to be added to the house after Hurricane Helene (Preservation South Carolina)

A South Carolina preservation group is shoring up a deteriorated residence that briefly served as the Confederate state’s capitol during the waning weeks of the Civil War, with the aim of having it eventually serve as a university alumni center. 

The emergency stabilization of the long-vacant Dawkins House in Union is being hastened this month because of the effects of Hurricane Helene in late September.

“The hurricane did impact the building. The tarp covering the front right facade ripped and parts of the metal roof bent from the wind,” said Joanna Rothell, director of outreach and preservation for the nonprofit Preservation South Carolina.

“We saw significant water intrusion in that area of the building. Thanks to the city, a larger tarp was installed immediately. We are proceeding expeditiously with emergency stabilization measures,” she said.

The Dawkins House, on North Church Street, is best known for several weeks in the spring of 1865. It was nicknamed “The Shrubs” and was occupied by Judge Thomas Dawkins and his English-born wife Mary Poulton Dawkins.

One of the remaining fireplaces in the house (Preservation South Carolina)

Gov. Andrew Magrath, before fleeing Columbia as Federal troops closed in, got in touch with college chum Dawkins about using the home and others nearby to conduct business amid the chaos.

From about Feb. 15, 1865, until sometime in March or April, Magrath ran the state from the Dawkins House as Union Maj. Gen. William T. Sherman sacked Columbia and moved on other cities, bent on destruction and submission of Rebel troops. Magrath apparently worked from an informal library near the drawing room. Chaos ruled across South Carolina.

According to histories and local legend, Magrath (below) and his subordinates burned possibly incriminating documents and correspondence in the home’s fireplaces. (The building served as South Carolina's capitol while the city was briefly is capital.)

Nearly 160 years later, the two-story clapboard structure is in rough shape and in need of a rescue. In November 2023, Preservation SC acquired rights to the Dawkins House at a property tax sale.

Preservation SC is working with $300,000 allocated by the Legislature for the stabilization. Officials expect the overall project cost to reach up to $1.5 million, with the goal of opening the house as an alumni center for the University of South Carolina Union in 2027. The group has yet to secure additional funding, Rothell told the Picket.

“We want to retain as much historic features of the house as possible,” she said. Those we have to replace we will replace in-kind.”

Portions of the house date back to the 1790s, making it one of Union's oldest surviving homes, existing during the time of George Washington’s and John Adams’ presidencies. The original 1790s structure still exists and has exposed beams with carved end fittings. The house still has quality features including, beaded and dovetail wood, joints and beams.

Bennett Preservation Engineering of Charleston studied the feasibility of restoring the home.

Officials hope the venue will provide an economic boost for Union and Union County, which is home to about 27,000 people. About 21% of residents live in poverty, according to the Census Bureau. The median household income lags well below the state average.

Annie Smith, USC Union marketing and development director, said an alumni association is being established to enhance recruiting efforts, develop a community between current, former and future students, and to provide outside funding and resources.

The small campus with about 1,400 students this year is celebrating its 60^th anniversary.

“This milestone year will feature the launch of a new Alumni Association, a Legacy Society to recognize donors, the introduction of the 10-year Campus Master Plan, a week-long celebration in April and more events throughout the year,” the school announced this week on social media.

Given the age of the house and wear, any college or community events will need to occur on the main floor. The upstairs won’t be able to handle large crowds, so it likely will be office space, according to Preservation SC.

Ravaged by war, erosion, time and World War II bulldozers, Fort Fisher will celebrate its resilience and new earthworks Saturday with 160th anniversary events

Reproduction 32-pounder was installed this week; note the two guns amid traverses (Fort Fisher SHS)

As a native of Wilmington, N.C., Chris Fonvielle grew up amid sand, surf and history. He recalls climbing all over Fort Fisher, the Civil War sentinel a few miles to the south.

Fonvielle (pronounced fawn-vull) eventually immersed himself in the study of Confederate blockade running, coastal operations and Fort Fisher, thought to be nearly impregnable as the “Gibraltar of the South.” And, as fate would have it, he still walks all around the site -- as an occasional tour guide.

Fonvielle and fellow author Rod Gragg will be among the speakers Saturday at Fort Fisher State Historic Site’s observance of the 160^th anniversary of the bastion’s fall to Union forces, hastening the South’s defeat in the four-year conflict.

"As the guardian of Wilmington -- the sole surviving major seaport in the Confederacy -- Fort Fisher was indispensable to the South, and was a critical lifeline that Northern forces had to sever,” Gragg, author of the seminal “Confederate Goliath: The Battle of Fort Fisher,” told the Picket.

Union forces attempted to take Fort Fisher -- built by enslaved persons on a peninsula between the Cape Fear River and the Atlantic Ocean -- in December 1864, but naval guns failed to reduce artillery positions and the attack was called off. But success came on Jan. 15, 1865, after an effective and sustained bombardment.

“That knocked out all the heavy artillery that otherwise would have devastated the ground troops,” said Fonvielle.

What followed was the largest amphibious assault before World War II. Union troops rolled up defenders, leading to surrender.

The victory cut off blockade runners and the last supply line through Wilmington to Robert E. Lee’s Army of Northern Virginia. U.S. Colored Troops were among those taking part in the attack. 

The big draw Saturday will be the new 20,000-square-foot visitor center and reconstructed earthworks that opened late last year. Programming includes artillery and infantry weapons demonstrations, guided tours, reenactors and book signings (see schedule below). The Friends of Fort Fisher are sponsoring the event.

The state park whomped up excitement Wednesday by announcing it installed a second reproduction 32-pounder cannon between the newly reconstructed seventh and eighth traverses.

“In the coming months, we will continue fleshing out these new earthworks with ground cover and interior decorations for the bombproof shelter exhibit,” Fort Fisher said in a Facebook post.

The site had closed in April 2024 to allow completion of the visitor center and the recreation of three traverses, bombproofs, a powder magazine and the sally port.

(Trails map modifications showing new traverses/ Dennis Gast)

Fort Fisher’s use during World War II helped the Allied cause but destroyed some of its familiar defensive traverses. They were removed to make way for an airstrip when the area was used for training anti-aircraft and coastal artillery units. Much of the fort was lost to erosion from the shifting Atlantic Ocean.

“It’s been a dream down here to rebuild this segment of earthworks since the 1960s. We finally did it,” Fort Fisher site manager Jim Steele told McClatchy News.

He spoke to the news service about the Southern effort to create the immense sand fort.

Building and repairing went on nonstop during the four-year war, which required the enslaved laborers to rotate through for weeks or months at a time, Steele said.

Montage of Timothy O'Sullivan photos of traverses; click to enlarge (Library of Congress)

The three new traverses, as with the original six, were the scenes of heavy, close-quarters combat as Union troops pushed east on Jan. 15,1865.

Chad Jefferds, Fort Fisher’s assistant site manager, said Saturday's weapons demonstrations will occur at Shepherd’s Battery, which guarded the western end of the Rebel defenses.

“We will be conducting both infantry and artillery demonstrations during the weapons demos at Shepherd’s Battery,” he told the Picket. “The infantry will show how units maneuvered in the field and fire blank rounds from reproduction muskets (mostly Springfields or Enfields), while artillery will show the process of loading and firing along with how each cannon crew member functioned. We currently anticipate having a 10-pounder Parrott rifle, along with the site’s 12-pounder Napoleon and 32-pounder firing blank charges.”

Admission to the site and programming is free, with the exception of $10 to take part in an “Above the Scenes” tour. Site historian Ray Flowers leads the walk, which delves deep into the experiences of those who lived, labored and fought at Fort Fisher, and gives visitors the rare opportunity to climb the fort’s earthen mounds.

Reenactors will be in an interpretive camp in Fort Grove, said Jefferds.

Books by Fonvielle (right), a retired educator, include “The Wilmington Campaign: Last Rays of Departing Hope” and “Fort Fisher 1865: The Photographs of T.H. O’Sullivan.”

He and co-author Bob Browning will discuss their new “Fort Fisher Illustrated: Art of the Battle.”

The paperback features lithographs, engravings, drawings and other dramatic illustrations made after the battle.

 “People knew because of the media coverage how important Wilmington was,” said Fonvielle.

Here is the current schedule for Saturday:

10 a.m.: Weapons demonstration at Shepherd’s Battery

10:45 a.m.: Presentation and book signing by Chris Fonvielle and Bob Browning, “Fort Fisher: Art of the Battle” (Orientation Theatre)

11 a.m.: “Above the Scenes” guided tour, leaving from main entrance breezeway.

Noon: Weapons demonstration at Shepherd’s Battery

12:45 p.m.: Presentation and book signing by Rod Gragg (left), “Cold Steel and the Butt of a Gun: The Fall of Fort Fisher” (Orientation Theatre).

"Commemorative events such as the 160th anniversary of the battle of Fort Fisher help us to remember our history and to learn from those who came before us," said Gragg.

1 pm.: “Above the Scenes” guided tour, leaving from main entrance breezeway.

2 p.m.: Weapons demonstration at Shepherd’s Battery

2:45 p.m.: Presentation and book signing by Angela Zombek, “Suspicious Characters and Captured Combatants: The Experiences of Prisoners of War” (Orientation Theatre)

3 p.m.: “Above the Scenes” guided tour, leaving from main entrance breezeway

4 p.m.: Weapons demonstration at Shepherd’s Battery

The site will be open Saturday from 9 a.m.-5 p.m., with public program being held between 10 a.m.-4 p.m. The visitor center is located at 1610 S. Fort Fisher Blvd. in Kure Beach. With an expected large crowd, the site recommends carpooling. Limited extra parking will be available at Battle Acre Road. Tickets for the “Above the Scenes” guided tour can be purchased at the first-floor information desk in the visitor center. Concessions will be provided by the Federal Point History Center.

Below: One of the reproduction 32-pounders points to the visitor center to its north (FFHS photo)

South Carolina's monument to Civil War hero Robert Smalls will rival old statues of white supremacists, and his story will be the one that inspires schoolchildren

Basil Watson's rendering of the memorial (Robert Smalls Monument Commission)

The loss of a tree outside the South Carolina State House – whether by chance, or divine intervention – opened a spot for a statue of Civil War hero Robert Smalls, who will stand equal to monuments of white supremacists on the Capitol grounds.

The Robert Smalls Monument Commission, made up mostly of legislators, last week unanimously approved a design and memorial location for the enslaved man who first gained fame for commandeering a Confederate ship in Charleston harbor in March 1862.

Choosing from three finalists, the commission chose a statue that depicts Smalls in a three-piece suit, at the height of his power in Congress.

“This depiction is important because Smalls should be viewed as possessing the same gravitas as historical figures such as Wade Hampton, Ben Tillman, James Byrnes, Strom Thurmond as depicted in monuments on the State House grounds,” said white state Rep. Brandon Cox.

The proposal needs action from a legislative committee and a full vote by the South Carolina General Assembly to become reality. The State Department of Administration and legislators are working to raise private money to build the Smalls monument in Columbia.

No price tag has been determined for the project. As of Tuesday, the commission has received $11,530 in donations, spokesperson Brooke Bailey told the Picket.

Artist Basil Watson of Lawrenceville, Ga., created the approved design.

“(Smalls, left) demonstrated from an early age a spirit of demanding equality, feeling that he was equal and capable,” said Watson, according to the South Carolina Daily Gazette. “I think this was the spirit that he carried throughout his life.”

At the start of the Civil War, Smalls, 23, was a pilot on the steamship CSS Planter. On the morning of May 13, 1862, Smalls led the takeover of the ship by its slave crew, sailed past the harbor's formidable defenses and surrendered the vessel to the Union blockade fleet. His wife and children were among those on board who gained freedom.

Smalls met with President Abraham Lincoln and lobbied him to recruit black men to serve in the Union army. The former slave served as a pilot on the ship USS Crusader.

Brown Memorials of Florence, S.C., submitted this design (Robert Smalls Monument Commission)

Smalls returned to his hometown Beaufort and bought his former master’s home. After the war, he served in South Carolina’s Legislature, was elected to the U.S. House of Representatives and served several terms.

The congressman fought against the disenfranchisement of black voters across the South, according to the American Battlefield Trust.

He also fought against segregation within the military, advocated for compulsory education in South Carolina, opened a school for black children and published a newspaper, among other accomplishments.

As the Post and Courier newspaper pointed out, the monument will be on a 22-acre property in Columbia dominated by Confederate memorials. (Pate Studio design, right, Robert Smalls Monument Commission)

“Confederate Gen. Wade Hampton, who enslaved people, has a statue, as does Benjamin Tillman, the former governor and white supremacist whose brother George used violence and intimidation to rob Smalls of his seat in Congress before his colleagues eventually removed him from office.”

Watson’s design was straightforward, with a single likeness of Smalls, rising above panels on the base describing his service and patriotism.

One panel includes a famous line uttered by Small in 1895:

“My race needs no special defense, for the past history of them in this country proves them to be the equal of any people anywhere. All they need is an equal chance in the battle of life.”

Suggested text for one of the statue's panels (Robert Small Monument Commission)

At last week’s commission meeting, a state senator at first favored the two other designs, which featured two to three statues depicting Smalls during different phases of his life, including his Civil War exploit.

Others disagreed.

Mike Shealy, who chairs the commission, and state Sen. Darrell Jackson, who is black, said Smalls should appear as other statues on the ground. A separate African-American monument on the grounds provides a wider story with more figures, they said.

The African-American monument on the Capitol grounds in Columbia (Library of Congress)

“The simplicity of the statue of one man on a pedestal who is equal to the other people that are memorialized on our State House grounds is the best depiction,” said Shealy.

The commission also released a map showing all the nearly two dozen monuments at the Capitol. Legislators said the location for the monument became after a tree branch fell. Officials later learned the tree was dying.

Black Rep. Jermaine Johnson said Smalls will stand near the visitor entrance to the State House and will provide a powerful reminder to schoolchildren about equal rights.

And, he said, visitors will be able to see the statues of Hampton and “Pitchfork” Ben Tillman (photo right, Wikipedia) from the location -- a reminder that Smalls overcame cruelties of the racist South.

Tillman, an agrarian populist, promulgated violence from groups who opposed Black rights and voting. A Clemson University biography says of him: "While bringing several progressive reforms to the state, he also was at the forefront of the movement to marginalize and disfranchise black Southerners further in the late 19^th and early 20^th centuries." He helped eradicate some reforms championed by Smalls.

According to the Associated Press, despite cries from many to get rid of such memorials, state law requires legislative approval to remove statues of Confederates or white supremacists, or even add language detailing their racist deeds. 

That has been an impossible task in a state dominated by conservative Republicans, according to the AP.

So now a new chapter is being written.

The state that was the first to secede from the United States, and was ruled for generations by white supremacists, will place its first monument to a single African-American individual on its State House grounds.

Click Robert Smalls Monument Commission map below to see where his statue will stand (near the star, on the State House grounds in Columbia.

'Painting the Past': At Monocacy National Battlefield on Saturday, bring your inner artist and paint toy soldiers in any scheme you desire. (You have to sign up first)

The forecast Saturday for Monocacy National Battlefield in Maryland is chilly with a certainty of indoor fun for those who come to paint toy soldiers.

“Painting the Past” is scheduled for 1 p.m. to 4 p.m. at the park near Frederick, with a repeat at the same time on Feb. 8. Participants are asked to be 10 or above and register ahead of time, as rangers limit the sessions to 18 at a time. (See bottom of this post for details)

All paints, brushes and other supplies are provided and participants can take their creations home.

The sessions were launched as an annual winter program in 2018, park ranger Matt Borders told the Picket. The idea was to have an indoor program to draw people to the battlefield during quieter winter months.

“The program looks at the wide range of uniforms in the American Civil War and encourages guests to paint up a toy soldier in whatever sort of uniform they envision,” said Borders.

The park provides infantry soldiers, as it was the largest branch in the service.

There was a wide variety of color used for uniforms, including flamboyant pantaloons and short jackets worn by Zouaves.

“As for the program, we have had everything from standard blue and gray, bright red and camo green,” said Borders.

Guests have painted soldiers with U.S. Colored Troops and even a memorial soldier with both gray and blue elements to their uniform, representing the modern 29^th Division, the "Blue & Gray Division." 

“For those doing dedicated Federal and Confederate forces, it has always been pretty much evenly split.”

Borders will display replica uniforms (right) for attendees to see and feel and discuss aspects of camp life.

Participants also will learn about soldier painting as a hobby for both display and gaming. 

“We use the larger 54mm plastic models now. These are the sort of plastic soldiers you can find pretty much anywhere, including in our shop here at Monocacy National Battlefield,” said the ranger.

“This event does tend to attract a few more young people, but we have had many adults enjoy this program as well,” said Borders.

At Monocacy on July 9, 1864, outnumbered Federals delayed Confederates bent on taking Washington, D.C. By the time Rebel troops reached the capital’s outskirts, Union reinforcements had arrived. 

All photos Monocacy National Battlefield

To register for "Painting the Past," contact the park at mono_mail@nps.gov or 301-662-3515 to let the staff know how many participants will attend.

On Picket first: USS Monitor conservators drain turret tank for first time since 2019, will conduct visual checks and maintenance inside beginning Thursday

The turret and its Dahlgren guns after its 2002 recovery in the Atlantic (The Mariners' Museum and Park)

Conservators later this week will be able to access the turret of the USS Monitor for the first time in more than five years, following Monday’s draining of the 90,000-gallon tank that surrounds the remarkable artifact.

The Mariners’ Museum and Park in Newport News, Va., broadcast the four-hour draining – the first since 2019 -- on YouTube and took questions from those curious about the long conservation process.

For the next several weeks, the treatment solution will be drained and filled weekly, and conservators will have access to the turret interior for maintenance. They are expected to enter the turret Thursday.

"On the days the conservators are physically working in the turret tank, they will stop occasionally throughout the day to run the sprinklers in the tank, in order to keep the turret saturated and prevent drying," said Tina Gutshall, The Mariners' grants administrator. "The rest of the year, the tank stays filled."

One benefit will be for museum visitors to see the empty turret on March 8, the anniversary of the 1862 Battle of Hampton Roads between the Union ironclad Monitor and CSS Virginia.

Following that, a new treatment solution will be incorporated into the turret tank, The Mariners' said.

The tank was drained to allow for the assessment of the desalination process (removing harmful ocean salts), routine maintenance and the removal of nut guards from underneath the turret. The nut guards are the remains of thin armor plating used in part of the turret.

A live chat during the draining brought a host of questions, including the goal of conservation, other shipwrecks, the sophisticated design of the turret and more. One commenter said an ancestor was a carpenter who worked on USS Monitor’s interior wood components.

Will Hoffman, chief conservator, participated in part of the chat, saying he and his colleagues were excited about getting inside the turret during the next several weeks to assess the treatment and clean the electrolytic reduction system that removes salt.

Cannon damage on USS Monitor after clash with Virginia (Library of Congress)

The turret was raised off Cape Hatteras, N.C., by U.S. Navy and other divers in 2002 and brought to Newport News. It is positioned upside down.

The chat and YouTube presentation asked for donations and support for the long-term project.

The next step is to flip the turret and treat it with dry ice. The conservation of the turret could be complete within 10 years, but officials have no firm timetable.

Crews have worked inside the turret during previous drainings, but most were several years ago. The long-term aim is to put the turret on display at the museum with other Monitor artifacts.

“We are working closely with NOAA to encourage support from industry experts on the technical expertise and to raise the funds to make this next monumental step a reality,” Hoffman said in the chat.

A major point of study is whether it is best to treat the turret as is (a large ring), or to take apart the 198 wrought iron plates, which are in bolted layers of eight, to get at them separately. "We do not plan to take the armor ring apart, but aim to disassemble the roof assembly once the turret has been rotated," conservators said in an email to the Picket.

I asked Jeff Johnston, who was a historian and program specialist with NOAA’s Monitor National Marine Sanctuary, about the significance of Monday’s tank draining.

Erik Farrell uses special drill in Dahlgren bore in early 2020 (Mariners' Museum and Park)

“It allows the conservators a chance to inspect how the conservation is progressing, replace any anodes that need it, and/or reposition anodes for better treatment where necessary,” he said. “They can inspect the turret and clean up any generated sludge. It's also a great opportunity for museum visitors to get a good look at the turret while the maintenance is happening.”

Additionally, Johnston said, conservators have the option of dry ice blasting to help the electrolysis better reach the surface metals and reduce rust. The museum said this week that approach continues to be the plan.

"Full dry-ice cleaning will follow the turret rotation, which is still in the planning phase," conservators said.

The Mariners’ Museum and Park displays hundreds of Monitor items, including the anchor and engine, recovered since 1973.

Turret after draining several years ago (Courtesy of The Mariners' Museum and Park)

Many artifacts, including the two Dahlgren guns, gun carriages and personal effects from sailors were recovered from inside the turret. The finds there included the remains of two men who were unable to escape when USS Monitor sank during a storm on Dec. 31, 1862, while it was being towed.

One commenter wondered how the ironclad’s crew coped with the concussive forces generated when the Virginia’s shells struck the turret.

“​​It is incredible to imagine what it would have been like inside the turret during the Battle of Hampton Roads,” the park replied. “It was hot, the ships were exchanging fire and the turret was spinning continuously.”

USS Monitor Center director emeritus John Quarstein told the Picket several sailors and officers were concussed during the battle, including chief engineer Alban Stimers. “When the first shots from the CSS Virginia struck the turret's side, everyone in the turret then knew that nothing could harm them.”

Quarstein (left), who routinely gives lectures on USS Monitor and other Civil War vessels, says the ironclad was truly a revolutionary warship.

“So many sections of the little ship that saved the nation, especially the turret, reinforce the fact that the Civil War is the first industrial war which changed America forever.”

On March 6, 1862, the new Union ironclad – its radical design dubbed “Ericsson’s folly” by its doubters -- steamed down New York City’s East River for the short journey to Virginia. There were doubts about whether the Monitor could withstand the seas and intense enemy firepower; it fired only two cannons from the revolving turret.

But the small ship quickly challenged the heavily armored CSS Virginia upon arrival and ended the latter’s rampage against Federal ships. The stalemate foreshadowed the end of wooden warships.

Editor's note: I will update this post with photographs from this week when they become available.