Amid construction of new Sultana Disaster Museum, executive director envisions exhibits that will capture chaos and heroism during the Mississippi River tragedy

A building addition provides an entrance to the main gallery (Sultana Disaster Museum)

Construction in Marion, Ark., of a larger museum commemorating the Sultana maritime disaster at the end of the Civil War is moving full speed ahead, though new exhibits won’t open until April 2026, a year later than first estimated.

Crews are building a more dynamic Sultana Disaster Museum than the current small location a few blocks away. It will be housed in the gymnasium of an old high school, with a couple additions. (A temporary gallery about music in the Arkansas Delta will open in October 2025).

Marion, close to where the side-wheeler Sultana exploded and caught fire in the Mississippi River, will honor soldiers who died in the disaster and residents who helped save others who were plunged into the river in late April 1865.

A Harper's Weekly depiction of the April 1865 disaster in the Mississippi River

About 1,200 passengers and crew perished. Hundreds of Federal soldiers, many recently freed from Confederate prisons, including Andersonville and Cahaba, were on their way home.

Earlier this year, the Sultana Historical Preservation Society brought on Jeff Kollath, former longtime executive director of the Stax Museum of American Soul Music in Memphis, Tenn., as executive director.

Museum officials say the exhibits will build off the full story of the Sultana, with information about the importance of the river, Confederate POW camps, the bribery and corruption that led to the overcrowding of the boat, the explosion and fire, and the creation of the Sultana Survivors Association. The vessel’s boilers are considered to be the main cause of the catastrophe.

The Civil War Picket, which has followed the city’s efforts for more than a decade, recently reached out to Kollath (left) for an update. His e-mailed responses are below.

Q. Please summarize where the project is now. I know the leaky roof needed replacing, the foundation was added for the gym addition and work is ongoing.

A. At present, contractors are bricking the exterior walls of the new addition. They have completed the west side and have moved to the main entrance. Sheetrock has been installed in probably 80-85% of the old building. The crew is doing a wonderful job floating each piece and creating what will be a beautiful surface for paint, murals, large format graphics, etc. What was once a vast, open, and cold space has now tightened up significantly -- even drywall can add intimacy sometimes! The new roof installed on the old building and has nicely cured. 

Q. Are you now expecting completion in late 2025, or have an estimate?

A. Our building will open in late October 2025 with the lobby, gift shop, auditorium and temporary exhibition gallery available for the public to see. Admission will be free, but we will highly encourage donating to help the cause. The main exhibition gallery will open in late April 2026 to coincide with the 161st anniversary of the disaster.

Design for the front of larger museum in Marion (Courtesy Sultana Disaster Museum)

Q. Will the temporary exhibition gallery that opens in October be comprised mostly of what is in the current Sultana museum? 

A. No, the temporary gallery will not be exclusive to the Sultana nor the Civil War. We view this space as a way to highlight compelling regional, national and global arts, histories and cultures. Our location, just outside of Memphis, and our position as the only large arts, culture and humanities organization and space between Helena and Jonesboro provides us with an opportunity to create exhibitions that have wide appeal to a variety of audiences. Our first temporary show will be a collaboration between the Sultana Disaster Museum and Arkansas State University to highlight the impact and significance of music from the Arkansas Delta, from Al Green and Johnnie Taylor to Johnny Cash and Sonny Burgess. That exhibit will open in October 2025. 

Q. You have said the exhibits were to be bid separately and as of earlier this year they had not been designed. Can you please update me on all this? What part does Haizlip Studio (of Memphis) continue to have?

A. We are currently in the exhibition design process with Haizlip and will be selecting an exhibition fabricator within the next 30-45 days. Haizlip is both the architect and exhibition/graphic designer.

Interior of planned exhibit gallery at old gymnasium (Sultana Disaster Museum)

Q. I understand you like to tell stories in a compelling way.  At the Sultana museum, that would include looking at individual soldiers. What does that look like to you?

A. There are more than 2,000 individual stories to be told, and we're not going to be able to tell all of them. Chester Berry's compendium of stories, first published in the 1880s, is always going to be the go-to for that. However, we will always use the stories of individuals to foreground all the important aspects of our narrative, from the story of the Sultana as the "fastest boat on the Mississippi River," all the way through the kindness and care of the Memphis medical community, to what happened to many of the survivors in the decades following the disaster. History from 10,000 feet down is not compelling; history from the bottom up is, and always will be, the most interesting way to tell a story. 

Q. There has been discussion of the big attraction being a mock-up of the forward part of the Sultana, which will include the boilers. Is that still the case?

A. We will likely be budget-limited, but there will be some large-scale representation of the Sultana, the paddlewheel, lower deck, and, yes, the boiler area. (At left, photo of 1891 reunion banner, courtesy of SHPS)

Q. What do you think will be the coolest use of technology in the museum? What will be the top interactive feature?

A. Our biggest challenge is going to be how to highlight the true chaos of the moments following the boiler explosion: the mad dash looking for anything to float on, working together and working independently to survive, and dealing with the temperature and fury of a river above flood stage in the early spring. We have some cool ideas of how to do this so we're excited to see how they come to fruition. As I've been saying lately, we only get one chance to "blow up" the Sultana, so it needs to be impactful and memorable for our guests.

Q. Since you came on board, what has been your prime focus: Construction, future interpretation, marketing – all of that?

A. It has been a little bit of everything, with the focus turning almost exclusively to interpretation, design and writing the exhibitions. I'll be relying on the experts on our board to answer questions and guide us along the process. The construction process is moving along apace, and we're at the point where we need to locate cameras, wireless access points, A/V hookups, etc. That means we're getting down to "IT," which is a good sign. We want our space to be welcoming, clean and intentional, meaning we have answers for why things are the way they are. Thankfully, our contractor and architect are excellent at answering my questions. There are about 2,781 things to consider when building a museum from scratch, and we won't hit all of them, but we're doing a good job so far.

Q. Any recent acquisitions for the artifacts collection, or anticipated? 

A. Nothing of note. We are not actively collecting at the moment, but certainly have hopes that more survivors' families will entrust us with their materials after we open to the public in 2026. 

Q. How is the city of Marion financially and otherwise contributing to the project? What are the townspeople saying?

A. The Marion Advertising & Promotion Commission has been incredibly generous for the last couple of years, providing funding for marketing and operational support for the current museum. That funding is locked in through 2026 and will cover a fair amount in terms of operations even in the new space.

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After years of planning, the site is beginning to shape up. (Sultana Disaster Museum)

Finance update: The current anticipated cost for the endeavor is roughly $7.25 million (including fundraising expenses), said John Fogleman, president of the Sultana Historical Preservation Society. The exhibits are still being developed but they will cost $1.5 million to $2.5 million exclusive of design costs. “The cost also depends on our ability to raise an additional $1 million for exhibits,” Fogleman told the Picket.

Previous Sultana coverage:

• Executive director hired to lead expanded venue
• Documentary, events mark 150th anniversary

• Will victim's journal and Bible become part of collection?

• Descendants drop flowers in memory of the lost

• Model captures every detail of Sultana
• Disaster took lives of those who had endured so much

• Siblings recall learning of disaster

The new Fort Fisher visitor center, opening Sept. 27, will tell a wider story. Crews at the North Carolina Civil War site are rushing to finish recreated earthworks

New visitor center, Civil War map along staircase to the second floor and a colorized version of a Timothy O'Sullivan photograph of a damaged Fort Fisher traverse (FFSHS)

(Editor's note: The park announced Sept. 20 the opening is indefinitely postponed due to flooding damage from a tropical system)

A new and larger visitor center at Fort Fisher below Wilmington, N.C., will provide a broader and more people-centric history than the previous venue, officials said.

The state historic site near Kure Beach recently announced the two-story visitor center and its museum will open on Sept. 27. The park closed in April for construction of the 20,000-square-foot visitor center and for an usual rebuilding of earthworks.

“There are a few more items in the Civil War section, but the new sections covering the time before Fort Fisher as well as the span of time between the Civil War and WWII are where we had to bring in the most new artifacts,” assistant site manager Chad Jefferds told the Picket.

Fort Fisher was built on the peninsula between the Cape Fear River and the Atlantic Ocean, south of Wilmington. It is best known as a crucial coastal bastion for the Confederacy.

A Whitworth gun on the first floor of the visitor center (FFSHS)

On Jan. 15, 1865, after a naval bombardment, the Federal army attacked from the western, river side while Marines pushed in from the northeast bastion. The fall of the “Gibraltar of the South” cut off blockade runners and the last supply line through Wilmington to Robert E. Lee’s Army of Northern Virginia. U.S. Colored Troops were among those taking part in the attack.

Essentially everything between Shepherd’s Battery on the western end of the fort’s land face and the center sally port were the scenes of intense fighting during the US Army’s assault. The fighting went from along the traverses from west to east and was often hand-to-hand.

Fort Fisher’s use during World War II helped the Allied cause but destroyed some of its familiar defensive traverses. They were removed to make way for an airstrip when the area was used for training anti-aircraft and coastal artillery units.

Construction crews are working to complete recreations of three traverses, bombproofs, a magazine and the sally port, Jefferds said. “The dirt being brought in has to dry out to a certain level before it can be used, but the weather has not been conducive. Hopefully it will be ready for our grand opening, but it’s no guarantee at this point.”

Sally port tunnel on far left during traverse reconstruction. At far right is historic traverse (FFSHS)

With the three traverses will come two gun emplacements, which will each have a heavy cannon, along with two 12-pounder Napoleons in the center sally port.

The new visitor center stands about 100 yards from the fort wall. It is just north of the east-west line mounds of earth known as traverses that were part of the defenses. Much of the eastern part of the fort has been claimed by the ocean. 

“Not only will visitors be able to see the majority of the remaining traverses from the second floor, they will also be able to see them as they approach from the parking lot. This is one of the main reasons for the first floor being perpendicular to the second floor,” said Jefferds.(bombproof recreation, below)

The visitor center’s first floor has a welcome desk, gift shop, restrooms and staff offices.

The second floor houses the main exhibit gallery as well as a temporary exhibit gallery that will change regularly. It  is home to an information desk, an orientation theater, restrooms and a multipurpose room that can be used for a classroom space, banquets or wedding receptions.

Among the wall displays is a colorized Timothy O’Sullivan photo of the fort taken shortly after its fall.

“That particular photo is of the 4^th traverse along the land face of the fort, likely where the fort’s commander Col. William Lamb was wounded,” said Jefferds. “It really shows the carnage that abounded here after the U.S. Navy’s bombardment and ensuing land battle, with the broken cannons and debris scattered all around.”

I asked him whether the venue will tell the same story, with some twists.

“The story is the same and Fort Fisher is obviously the central theme, but the way it’s told is different. We’ve tried to tell the story of Fort Fisher through the eyes of the people who lived, worked, fought and died here. We’ve also enhanced the coverage of the time before the Civil War as well as the time after, all the way through WWII when the fort served as a training facility for antiaircraft and coastal artillery units.”

Parking and admission at the site is free. Hours are 9 a.m.-5 p.m. Tuesday-Saturday. The building is wheelchair-accessible and an elevator goes to the second floor.