(Click to enlarge: Courtesy of Toledo Museum of Art) |
(Courtesy of Oregon-Jerusalem Historical Society) |
Oh, the places it’s been.
Commissioned by aging Ohio Civil War veterans who wanted to be remembered
on canvas rather than by a monument, the large painting won a medal at the 1893
world’s fair in Chicago and then adorned a wall at Memorial Hall in
Toledo, garnering praise for its striking, realistic detail of an artillery
battery in action.
By World War I,
however, “Battery H
1st Ohio Volunteers Light Artillery in Action at Cold Harbor” had largely slipped out of public view
and went into storage after interest in such artifacts waned. The painting suffered
damage while it was stored in a damp basement storage room at the city’s zoo
and in a garage.
About 25 years ago, an
historical society across the Maumee River in Oregon, Ohio, received the oil painting
after a complicated sequence of events.
It was restored in 2002 and has since presided over the second floor of an old
school building housing the society’s collection of Civil War and other
artifacts.
Until now.
Military
artist Gilbert Gaul’s six feet by 10 feet creation is on loan and is the
centerpiece of the Toledo Museum of Art’s exhibit, “The
American Civil War: Through Artists’ Eyes” (through July 5). The free exhibit “uses paintings, drawings, sculpture, photographs and artifacts to
retell the events of the time.” It includes famed photographer Alexander
Gardner’s sketchbook.
How the Gaul painting
got to the museum has added another small chapter to its interesting history:
Workers had to remove it through a second-floor window of Brandville School, home to the Oregon-Jerusalem Historical Society.
That’s because the
main stairway was reconfigured after “Battery H” was returned in 2002, making
it impossible to go through a door.
Last November,
workers removed the canvas from its impressive, gilded frame. Both pieces were
covered and taken out via an exterior lift.
“We had a party that day. We had cups of chili and everyone could walk
around …. and watch the whole thing,” society President Connie Isbell told the
Picket.
Isbell tells the story of a soldier’s great-grandson who one day brought
in a photo of his ancestor to see whether he could identify him in the
painting.
“It took us only a few minutes,” said Isbell. “There was not a doubt
about it.”
David Brown last year told The Press that he believes Iraneaus A.
Geren is the man wearing the bandana in the center of the painting, near a
caisson wheel.
The unit saw action at the battle that ended in a major defeat for Union
forces. “They were able to gallop into battle right now and they were
the first onto the field,” Brown told The Press. “They were in action before
the infantry was.” One battery soldier died in the fight.
Brig. Gen. George Armstrong Custer had encouraged the battery to get to
the front, according to the article.
A Toledo chapter of the
Grand Army of the Republic commissioned the painting for $2,000. The artillery
battery had about 265 soldiers, about half from northwest Ohio.
The artist was William Gilbert Gaul (1855-1919), a well-known painter of military scenes, especially of the
Civil War. While “Battery H” is not one of his more famous works, people have
been mesmerized by its rich detail in depicting a scene from combat at Cold
Harbor, Virginia, in June 1864.
Workers prepare to move painting from historical society (Courtesy of OJHS) |
An article describes
Gaul’s style as “usually denoted as realism with some hints of romanticism.”
The artist primarily worked in Tennessee and New York City, with the Civil War,
the West, Native Americans and pastoral scenes among his legacy. The Tennessee State Museum has many of his
works. He was among the artists featured in “Battles and Leaders of the Civil
War.” His work fell out of favor later in this life, but his reputation has
been restored in recent years.
The painting belonged to the Toledo Soldiers’ Memorial Association, which kept its large
collection of Civil War artifacts at Memorial Hall. Future President and
then-Gov. William McKinley attended the unveiling of the painting in 1894.
A local judge at the time spoke of
the pride in having the painting in Toledo, calling it “a memorial of those
days of blood and courage, a symbolism of sacrifice and heroism which shall
thrill future generations with patriotic pride.”
“Battery H” fell onto hard times within decades of its triumphant debut.
A 2002 Toledo Blade article detailed how many of Toledo’s historic
items had faded from view, many of them disappearing or enduring damage. The
painting and other Civil War items were moved to various locations; Memorial
Hall was demolished in 1955.
Frame is removed (Courtesy of OJHS) |
Many artifacts were displayed at the Toledo Zoo and the military items
eventually were moved to the basement. A society volunteer told the Blade that
the painting, once the glory of the World’s Columbian Exposition in Chicago,
was propped against a wall in damp darkness.
“It had a great big scratch and there was a little bit of water damage,”
Isbell said of the painting before its restoration. “It was not in real good
shape.”
But these are much better days for “Battery H.” The Toledo Museum of Art
approached the historical society about borrowing the treasured painting and
has agreed to provide an official appraisal in return, said Isbell.
The historical society
loaned the painting to the Tennessee State Museum in 1993, but Isbell
acknowledges its prominence at the exhibit in Toledo will bring it to a much
larger audience. (The Toledo Museum of Art had about 346,000 visitors in 2014 and saw an uptick when the Civil War exhibit opened earlier this month. The historical society in Oregon is open only on Thursdays
and by appointment).
“We are going to have a big party when it comes back,” she said.
COMING SOON: Other items in the Toledo Museum of Art’s
Civil War exhibit.
No comments:
Post a Comment