Delving into what Camp Asylum has to say

Button from uniform of Union POW (USC)

Archaeologists exploring the site of a Civil War-era prison camp in Columbia, South Carolina, have uncovered three pits they say Union soldiers dug as crude shelter against the winter of 1864-65. One of the earthen pits on the grounds of the S.C. State Hospital held a half dozen artifacts, too. • Article

Read more here: http://www.thestate.com/2014/01/27/3231027/archaeologists-unearth-pits-where.html#storylink=cpy

Read more here: http://www.thestate.com/2014/01/27/3231027/archaeologists-unearth-pits-where.html#storylink=cpyArchaeologists exploring the site of a Civil War-era prison camp in Columbia have uncovered three pits they say Union soldiers dug as crude shelter against the winter of 1864-65.
One of the earthen pits on the grounds of the S.C. State Hospital held secret a half-dozen artifacts, too

Read more here: http://www.thestate.com/2014/01/27/3231027/archaeologists-unearth-pits-where.html#

Family ties: Share your story with the Picket!

I'm trying to bring an occasional feature back. The Picket is sharing readers' accounts of their ancestors who served or were affected by the Civil War. We encourage you to get involved by e-mailing us at pgastjr@comcast.net.
• Here's a sample from a few years back

J.E.B. Stuart's personal banjo player and his famous brothers drew on instrument's African roots

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Sam Sweeney (in tent), drawn by Frank Vizetelly for Illustrated London News

The popular song went:

If you want to have a good time, jine the cavalry!
Jine the cavalry! Jine the cavalry!
If you want to catch the Devil, if you want to have fun,
If you want to smell Hell, jine the cavalry!

We're the boys who went around McClellian,
Went around McClellian, went around McClellian!
We're the boys who went around McClellian,
Bully boys, hey! Bully boys, ho!

Maj. Gen. J.E.B. Stuart, ever the dashing figure, was known to dress handsomely and tap his feet joyously. On the trail, or by the campfire after a hard day’s ride, the Confederate cavalier enjoyed the rollicking and homesick songs played by his personal, “appropriated” banjo player, Sam Sweeney. “Jine (Join) the Cavalry” was a standard among Confederate horsemen.

Sweeney, from Appomattox, Va., was one of the famous Sweeney brothers, three Irish-American musicians who played at raucous minstrel shows and even for Queen Victoria in the years before the Civil War.

Sam Sweeney

Older sibling Joel Sweeney, experts say, is the first documented white man to play the banjo, having learned the music from slaves by the mid-1830s. Considered by many to be the first pop star in America, the so-called “father of the banjo” was considered an innovator in the use of the five-string banjo, an instrument with roots in Africa.

“He was the one who brought (the banjo) into white, middle-American culture,” says David Wooldridge, a museum technician with Appomattox Court House National Historical Park.

Wooldridge recently gave a talk about Sam Sweeney at the Museum of the Confederacy’s venue in Appomattox.

“His brother (Joel) cast a long shadow and for a long time … got all the credit,” Wooldridge tells the Picket. “Sam was supposed to be just as good as his brother, or better.” 

Joel and Richard Sweeney died before the war. Sam Sweeney, also an adept fiddle player, joined Company H, Second Virginia Cavalry, in January 1862. His skills and fame quickly came to the attention of Stuart, who insisted the banjo player join his headquarters.

Col. T.T. Munford, from whom Sweeney was “borrowed,” later wrote, “Stuart’s feet would shuffle whenever he was in Sweeney’s presence, or even at the calling of his name.”

“Lorena,” “Cottage by the Sea,” “Soldier’s Dream and “Old Gray Mare,” were among Stuart’s favorites, and Sweeney was often accompanied by a bones player and tambourine.

Sweeney rode with Stuart during several notable campaigns, including Gettysburg.

"Sam Sweeney's personality was much the same as his fun loving general and . ... he followed the dashing cavalier playing and singing songs that he and his brothers performed for many thousands of people," wrote John R. Broughton in a J.E.B. Stuart Birthplace Preservation Trust newsletter. "Wherever Stuart went, Sweeney was not far behind, his banjo ready."

The Charleston (S.C.) Mercury newspaper has this fascinating tidbit on Jan. 16, 1863:

"Are you readers aware that Gen. Jeb Stuart carries with him wherever he goes, in all his circuits and raids, a brother of Joe Sweeney, the famous banjo player? Such is the fact. Sweeney is also a banjoist, and Stuart calls him his band. He carries his banjo behind his saddle, wrapped up in a piece of oil cloth, and whenever the cavalry stops, even to water their horses, the band strikes up on the banjo and picks a merry air. The performance of the banjo band in Pennsylvania drove several Dutch farmers raving distracted, for Sweeney swore that his banjo strings were made out of the viscera of their departed relatives and friends!"

Two years into his military service, Sam Sweeney passed away at age 32 on Jan. 13, 1864, in winter camp. He likely never fired a shot in battle.

A grieving Stuart wrote of the loss to his wife, Flora. ”I Suppose you heard the sad tidings of poor Sweeney’s death. He died of small-pox while I was gone. His loss is deeply felt."

The general would himself be dead four months later, fatally wounded at Yellow Tavern, Va.

It was not until June 2010 that a headstone went up in Orange County, Va., to remember Sam Sweeney.

Wooldridge, a banjo player, helped organize a May 2013 event at Appomattox honoring the legacy of the musical family.

Flyer for 2013 event in Virginia.

"We wanted to make it entertaining, educational and respectful of the banjo's history and its African origins."

Among the performers was Sule Greg Wilson, a musician, folklorist and writer living in San Diego.

Wilson considers the Sweeneys to be early crossover artists, the first to appropriate African-rooted music to play before white audiences in America.

"I would say (the banjo) became a more harmonic instrument. The European sense of rhythm and melody is a different aesthetic than the African one."

Among the songs played at the gathering was "Grapevine Twist," an 1840 selection attributed to Joel Sweeney. But Wilson doubts Sweeney actually created the tune.

According to Wilson, the song refers to slaves taking precautions while visiting friends without permission from their owners. On certain roads, they would take grapevines and twist them, leaving them hanging at the neck height of pursuing horsemen. 

Although some songs of the era were about love, Joel Sweeney would play selections that appealed to everyday folks.

Sule Greg Wilson at Appomattox (courtesy of artist)

"He would talk about the neighborhood, people getting hurt or things getting burned down," says Wilson.

The Sweeneys would often perform in blackface during minstrel shows, a colorful if now-controversial form of entertainment that featured comedic skits and music that often would parody African-Americans and other ethnic groups. 

Rhiannon Giddens, a member of the African-American string band the Carolina Chocolate Drops, said of minstrel music. “It is not hard to love it because the music is awesome. The words they are problematic. … There are some horrible words.” The earlier minstrel acts were not as racist as those once slaves were freed. Still, she said, the music tells us what was going on in America at the time and is part of our history.

A teaching lesson plan produced by the park says the story of the Sweeneys is part of the rich cultural patchwork of the United States.

“For, within the story of the banjo in America is the story of American culture; a story of cultural diffusion, a story of the power of music to bring disparate sections of our society together to create something distinctly American.”

• Videos: Wilson plays at Appomattox on “Sanford Jig” and another selection.

PART TWO: Banjo’s African roots, minstrels show and the instrument’s popularity during the Civil War. Click here for post

Museum's 'living, breathing cyclorama'

(Courtesy of Civil War Museum)

The Civil War Museum in Kenosha, Wisc., is putting patrons in the thick of battle with the use of 360-degree technology and 11-foot-tall screens. The Journal Sentinel newspaper has detailed the feature and the related airing of an 11-minute movie, "Seeing the Elephant."

"Our idea was to produce a 360-degree film that puts the viewer in the middle of the action, sort of a living, breathing cyclorama," curator Doug Dammann, tells the paper. Eight projectors and seven speakers provide the experience.

Two hundred re-enactors helped in the production of the movie, which shows three men joining the Union army for different reasons.

• Read more about how the film was made

Antietam's Burnside Bridge temporarily closes after section of wall falls into creek

(NPS photos of bridge)

The famous Burnside Bridge at Antietam National Battlefield is temporarily closed after a section of stone wall on the upstream side fell into Antietam Creek

Engineers and others will conduct a preliminary evaluation of the pedestrian bridge on Tuesday, park Superintendent Susan Trail told the Picket this morning.

At that time, they may be able to determine whether it is safe to reopen the historic structure. And they may discuss a more comprehensive bridge assessment, Trail said.

Recent bitterly cold weather from the so-called "polar vortex" and other systems are believed to be a contributing factor.

"We have had this rapid freezing and thawing the past couple weeks," said Trail. “We all have been in such strange weather.”

While the wall section is well above the creek, water from the roadbed of the bridge may be a culprit.

Burnside Bridge was a key part of the battle and remains a popular stop today, according to the superintendent.

“I would say the majority of our park visitors make it down to Burnside Bridge and walk over the bridge. It certainly is the iconic structure of the battlefield. It is imminently recognizable."

The site's current bucolic setting is incongruous to what occurred on a bloody afternoon during the Battle of Antietam.

Ambrose Burnside

On Sept. 17, 1862, America's bloodiest single day, a small force of Confederates on high ground for three hours defended the critical crossing against troops belonging to Ambrose E. Burnside's 9th Corps.

Critics say Burnside did not do adequate reconnaissance before the attack, which cost him about 500 casualties.

"After taking the bridge at about 1 p.m., Burnside reorganized for two hours before moving forward across the arduous terrain -- a critical delay. Finally, the advance started only to be turned back by Confederate General A.P. Hill’s reinforcements that arrived in the late afternoon from Harpers Ferry," according to the NPS.

Robert E. Lee's army was saved, but he had to end his Maryland invasion and return to Virginia.

Originally known as Rohrbach's or Lower Bridge, the battlefield landmark was built in 1836 by John Weaver at a cost of $3,200 as a wagon, horse and foot crossing southeast of Sharpsburg.

After the battle, the bridge was actively used for traffic until as recently as 1966, according to the NPS.

The section of stones fell on Wednesday, and officials closed it to foot traffic on Friday.

Trail said she is not aware of major repairs in recent years. The last significant work occurred in the late 1980s.

"When we meet on Tuesday, we will look at the bridge as a whole. We need to look at it holistically.”

The park is relatively quiet at this time of winter, but patrons and the public have expressed their concern and desire to see the bridge repaired.

"People care about it a lot," Trail told the Picket.